

Recent RMIT University graduate Georgia Havekotte has won an expenses-paid place at a Paris fashion school.
Georgia Havekotte poses with models wearing her designs.
Georgia Havekotte is presented with the Grand Prize by Textile Institute of Southern Australia President Sylvia Walsh, and International Fibre Institute CEO Joseph Merola.
Ms Havekotte took out the Grand Prize at the Textile Institute of Southern Australia's recent student design awards.
The judging panel was made up of local and international design professionals and alumni of the Paris American Academy, where Ms Havekotte will attend a four-week course.
She also won the Audience Prize - a cash prize awarded to the student whose work received the most votes from guests at the awards night.'
from the RMIT website
WHY DO WE DECORATE THE BODY? JEWELLERY IS ONE OF THE OLDEST FORMS OF BODY ADORNMENT. THE WORD JEWELLERY IS DERIVED FROM THE WORD JEWEL, FURTHER TRACING LEADS BACK TO THE LATIN WORD "JOCALE", MEANING PLAYTHING. AN ALWAYS EVOLVING ART FORM, CONTEMPORARY JEWELLERY SERVES FOR MORE AN ARTISTIC EXPRESSION. IT IS IMPORTANT HOW THE JEWELLERY COMMUNICATES WITH THE BODY AS IT IS WAY TO CONVEY A WEARERS PERSONAL STATEMENT RATHER THAN THE FLAUNTING OF WEALTH. OFTEN CONTEMPORARY JEWELLERS USE UNCONVENTIONAL MATERIALS TO QUESTION THE MEANING OF ‘VALUE’ THROUGH HUMOUR AND SUBVERSION. PLAYTHING EXPLORES UNCONVENTIONAL WAYS TO ADORN THE BODY, TAKING INSPIRATION FROM TRADITIONAL AND CONTEMPORARY JEWELLERY. BY ANALYSING WHAT ELEMENTS CONTRIBUTES TO ITS BEAUTY WE CAN LEARN HOW TO DECORATE THE BODY IN NEW WAYS. PLAYTHING EXPERIMENTS WITH 3D FORMS AND AIMS TO RECREATE LIGHT REFRACTING PRISMS.